PATTERNS FOR READING
Presented
position with and without recognized bias can be bettered when one
observes spin of self and other, even author. Notice
spin as, and compared to, one's own point of view, and in life
in general.
Tone
poem: skipping around the text for key words.
Skimming:
quickly scanning the text to get an idea.
Reading:
investigating the text and trying to conceptualize the meaning that
the author intended to impart. This includes looking up to define
unfamiliar words, reading each word in its proper sequence, and maybe
reading aloud to affect more senses.
Close
reading: includes all the above techniques, and also striving to
imagine what else the author could be writing about. Making notes to
support re-reading and reference. Making connection to other writing
and phenomena, within the text and also outside the boundaries of the
text, to help understand a larger community of thoughts. Making
cultural observations, noticing absences, contradictions, and
similarities. Considering how other language may be induced into the
meaning process. Noting language relationships like alliteration,
rhyming, repetition, symbolism. Asking questions and looking for
evidences that can provide answers. Recording feelings, predictions
and evaluations you have of the text.
For more context on epouges see this blog February 1, 2011.
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